Thanks to Readers and Bloggers

I’d like to give a big thank-you to all the bloggers who’ve read and reviewed Letter to My Daughter, among them:

A Reader’s Respite
Bermuda Onion
Bibliophile by the Sea
Reading at the Beach
Cajun Book Lady
Library Girl Reads
Missy’s Book Nook
Sharon’s Garden of Book Reviews
Jen’s Book Talk
Carpe Libris
I’m sure I missed some, so thanks to anyone I overlooked, too.
I just attended the Tennessee Williams/New Orleans Literary Festival, and everyone there–authors, agents, publishers, publicists–spoke about how very important bloggers and readers like these are. The feeling I got was that without them, the industry wouldn’t survive.
So cheers to you, readers and bloggers!

Letter Writing in the Classroom

Here’s something I wrote for the Random House, Inc. website for teachers about using letters in the classroom. (See their website at http://www.rhimagazine.com/.)

Do most people agree with the idea that letters on paper seem more important, more permanent, than email? Or will letter writing go the way of stone tablets and papyrus rolls–outdated media destined to be replaced by a newer, better mode of communication?
In other words, does anyone ever write letters anymore? Or am I just a 20th century, pre-technological romantic, clinging to a vanished past?

Letter to My Daughter, Letters in the Classroom

George Bishop talks about using letter writing in the classroom.

In my novel Letter to My Daughter, Laura, a middle-aged mother, writes a long letter to her runaway daughter. Early on in the story, she bemoans the fact that letter writing seems to be a dying art: In this hyperactive age of emails and text messages, the kind of correspondence that Tim [her boyfriend] and I shared must seem like an anachronism to you . . . But I sincerely hope, dear Elizabeth, that someday you might have the pleasure of such an anachronism; that one day you’ll experience for yourself the irreplaceable joy of receiving letters from a lover.” Much like my protagonist, I too appreciate the value of letters as a form of communication, and for this reason I’m always looking for ways to incorporate letter-writing activities in my English classes.

Unlike an electronic message, a letter’s a tangible thing; it’s got heft and substance. We can hold it in our hands, turn it over, smell it even. We appreciate the extra time it took the sender to write out their thoughts on paper, put the paper in an envelope, address, stamp, and mail it. A letter says, Listen to me. I’ve got something important to tell you.

A letter begs to be preserved, too, as a kind of historical document. In a cedar trunk in her closet, tied up in pink ribbon, my grandmother saved the letters she exchanged with her husband while he was away entertaining troops in Europe during World War II. In this respect, a letter is both more private and public than forms of electronic communication: private because of the intimacy we associate with letter writing, but public because we recognize that our letters may one day be read by others after we’re gone. Will children sixty or seventy years from now read the emails and text messages their grandparents sent when they were first falling in love? It’s possible, but I somehow doubt it.

Because a letter seems more important and more lasting than other forms of written communication, we tend to take special care with its composition. I’ve been thinking about personal letters so far, but this holds even truer in the business world, where letters can be binding documents. I once had a temp job in the legal department of Pacific Oil and Gas Company, and my boss, an attorney, would spend an entire day writing and re-writing a single one-page letter for me to type. Hundreds of thousands of dollars, I learned, could hinge on the use of “the” or “a” as an article. Business people, like lovers, know how crucial it is to get the words exactly right in their letters.

So for all these reasons, but mainly because I find it to be a fun and useful way to get students to put pen to paper, I like to practice letter writing in my English classes. I’ve used letter-writing activities across a wide range of levels and settings, from beginning EFL classes for young teens in a Turkish elementary school, to Business Communication classes for adults in a community college in North Carolina. Some of my favorite letter-writing activities over the years, and ones that almost always prove popular with students, are:

  • letters asking for and giving advice (a la “Dear Abby”);
  • letters of complaint (to a school official, city department, store, etc.);
  • letters of request (to a local business or government agency requesting information or brochures, for example);
  • letters of introduction (of yourself to a potential employer, or a friend to a host abroad);
  • letters to the editor (addressing some issue in the news);
  • a letter to a friend or family member that you’ll never send; and,
  • a letter to yourself ten years from now.

In all of these activities I like to make the letters as genuine as possible: students write letters that if not actually mailed, could be mailed. Or I’ll exchange the letters between students, or between classes, or even between different schools, and then have other students write replies. The critical thing for most of these activities is that students should be able to see some response to their letters. My young Turkish students loved getting replies from students in the US, for instance (“Look! English works!”). Teenage students everywhere, I’ve found, enjoy coming up with and writing answers to “Dear Abby”-style letters. And, most impressively, I know of one high school teacher in the US who’s had an amazing rate of success in getting his students’ letters printed in The New York Times.

The advantage of letter-writing activities like these is that they engage students in real, purposeful communication, with clear audiences in mind. (Contrast, for example, the instruction to “Write an essay about an important experience in your life” to “Write a letter to your best friend telling him or her the most exciting thing that happened to you over the summer.”) Good letter writing requires the same attention to skills that we look for in all academic writing: things like organization, evidence, grammatical accuracy, awareness of tone and audience, and so forth. These elements are also important in business communications, so students who learn how to draft a good letter or memo will be prized in almost any line of work. But finally, and most importantly, letter-writing activities like these are enjoyable and meaningful for students.

Letter writing doesn’t have to be a dying art, not if we teachers don’t want it to be. I believe it’s something well worth practicing and preserving in the classroom. As a final testament to the value of letter writing, let me turn again to my novel. When Laura first realizes that her daughter really has run away from home; when she understands how distant she and her daughter have become; when she sees at last that the very survival of their family is at stake; she turns to the one thing that she believes will save their relationship—the most powerful and intimate demonstration of her love that she can think of: a letter.

Welcome

Hello from New Orleans. I’ve recently moved back to Louisiana after many years abroad. It’s good to be here again; carnival season is in full swing, and I can hear the parades a few blocks away on St. Charles Avenue. My novel Letter to My Daughter comes out on February 16, Mardi Gras day, and though I didn’t choose the date, I’d like to think that it’s propitious.

This is supposed to be a blog, I know, but I don’t expect I’ll be doing much essaying here. Instead, I’d like to use this space as a forum to talk to readers about the book. So if you’ve made it to this page, and if you have any questions or comments about Letter to My Daughter, I’d be happy to hear from you.

And just to get you started, here are some sample questions and answers. (Your questions, I’m sure, will be better.)


Q: Hello. How are you?

A: Fine, thanks.

Q: What inspired you to write Letter to My Daughter?

A: I talk about this more on “The Story Behind the Book” page, but the short answer is that the novel came to me in a dream. Strange as it may sound.

A few years ago, I was in India on a fellowship to do teacher training. At the end of my stay there, I went on a camel safari in Rajasthan. I was actually working on another novel at the time, and I wasn’t thinking anything at all about mothers or daughters then. But I went to sleep in a tent in the desert, and when I woke up the next morning, I knew the whole story, beginning to end. I jotted down notes in my journal, and began working on a draft a few months later.

Q: Why did you write the story in the form of a letter?

A: Again, it was the dream. I dreamed the novel as a letter. I suppose I could have recast it as a standard narrative, but the epistolary form fit the story. Besides that, I like the idea of personal letters. The whole process seems quaintly old fashioned now—sitting down and picking up a pen and writing a letter on paper to someone. But for the generation of Laura, the mother in the story, writing letters was much more common than it is today.
In researching this novel, I especially enjoyed reading letters written to and from American soldiers in Vietnam. Most of those soldiers, you know, didn’t have university educations; they went to Vietnam straight out of high school. But in spite of their limited writing technique (or maybe because of it?), their letters have an immediacy and vividness that’s still very affecting. I tried to capture some of their style and feeling in the letters from Tim to Laura.

Q: You’re not married, you don’t have any children, you didn’t fight in the Vietnam war: how did you come to write a book so far removed from your real life experience?

A: Right: single, no daughter, no military experience. No tattoos, either. But this is what fiction writers do, isn’t it? We get to make up other worlds, hopefully ones more interesting than our own. I actually spend most of my time sitting indoors at a computer, and who would want to read about that?

Q: You once worked as an actor. Do you think your acting experience helped you in writing this book from the point of view of a female narrator?

A: It’s funny, one agent I sent an inquiry letter to seemed angry that I should even try to write this book. “HOW CAN A MAN WRITE A STORY FROM A MOTHER TO A DAUGHTER???” she wrote.


I think my experience as an actor did help with the writing of it. A good actor prepares for a role the same way a writer creates a character: by imagining a complete biography for that person. So as a writer or an actor, you should know not only what your characters say and do, but also how they sound, how they walk, what they love and hate, what they had for breakfast that morning . . . everything. All this helps to find the “voice” of a character, whether in acting or writing. And in my own case with the female narrator, growing up with three talkative sisters probably didn’t hurt, either.